R. Paul Falk shares his doctrinal filtering process and applies it to the doctrine of ending every prayer “in the name of Yeshua” or “in Jesus’ name.” He answers the questions of where this is seen in Scripture, how it is often misunderstood, and the origin of the practice that is so widely accepted today.
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R. Dennis Richards reveals a study on the Song of Moses that is mentioned in John’s Revelation and is a prophecy of the nation of Israel. First written in Deuteronomy 32, it is connected throughout the Scriptures, in Genesis, the Psalms, Jeremiah and Romans.
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R. Paul Falk continues expounding on Messiah’s parable of the vineyard with a focus on the winepress which was dug in it. The winepress, wine and the cup are seen throughout the Scriptures and represent rich spiritual meanings regarding covenants and judgment, especially for the vine keepers.
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Patrick Shannon presents the first few verses in Genesis as a metaphor, which is reflected in the prophesies regarding the end, confirming that our Creator indeed “declares the end from the beginning.” Several elements including darkness, waters, and light, are presented to represent other things in Biblical prophecy.
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R. Paul Falk scales the tower that is built in the the vineyard, according to the parable of Messiah, revealing the significance of towers in our lives.
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R. Dennis Richards shows some interesting parallels between the the festival of Sukkot (tabernacles) and the Jerusalem Temple throughout the history of Israel.
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R. Paul Falk continues the series on based the Messiah’s parable about the vineyard, with a focus on the implied meanings of “hedges” and “thorns.”
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R. Dennis Richards shows a number of corresponding passages about what is probably the most important remedy for sin that will be considered at the great judgment, and exposes what many swallow that is ineffective for salvation.
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R. Paul Falk digs deeper into The Vineyard parable looking at why the vinedressers refused to render its produce and why they killed the ones sent to collect the fruit outside the vineyard. The metaphor actually relates back to Cain and Abel, to Joseph, and how we, today, react to conviction.
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Patrick Shannon investigates the Scriptures for why two goats were part of the yearly ritual for atonement—one to be sacrificed and one to be released into the wilderness bearing the sins of Israel. What was the meaning of this “shadow picture” for our future in Messiah?
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